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if anyone ever tells you slash fanfiction or trans headcanons are stupid just explain that only 2.4% of all young adult books published in 2013 included LGBT characters and you’re not going to apologize for making your own mirrors

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Can’t sleep?

Struggling with insomnia?

Then you’ll want to check out some of the books on this list.

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Papers for Characters

Spanish design studio Atipo has created a collection of minimalistic movie posters that are made from paper. 


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Do you ever just sit and stare at your bookshelf and take out your favorite books and feel the covers and slide them back on the shelf or is that just me

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A batch of wonderful book dedications.

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Currently reading: “Angela Carter’s Book of Fairy Tales”

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Quotes from the Harry Potter Books [22/50]


"A nickname?"

"Yeah, it’s what my friends call me."

"I’m well aware of what a nickname is."

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We asked about your audiobook habits and you answered. Here’s a look at what how much and how often Book Riot readers listen to audiobooks.

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Anonymous asked: Hi. This might be long. I’m writing a novel for the first time ever and I have so many questions. How to give my characters realistic backgrounds and futures, how to create a fantasy world, how to introduce my novel without sounding like a complete idiot. I don’t want to write, I want to create and I’ve got ideas I just can’t get a story. Have you got anything that might help me with creating characters, a world, and starting the novel? Thanks.

Congratulations on starting your first novel! Very exciting!

Here are posts I’ve made with lots of tips and links to help you out!

Getting Started:

Plot: Brainstorming for Ideas 
Outlining and Planning a SeriesFinding Focus During a Storm of Ideas
Beginning a Novel
Creating the Perfect Writing Space
Finding the Time to Write
Turning Ideas into a Story
Research Tips

Plot and Story Structure:

Figuring Out a Plot
How to Develop a Plot
Plot and Story Structure

Character Development:

Character Authenticity
Fleshing Out a Flat Character
Different Kinds of Antagonists
Strong Female Protagonists
Name Resources

Fantasy World Building:

Establishing a Non-Traditional Fantasy Setting
Creating a Fictional Calendar
Creating a Language
Telling Time Without Clocks
Going Too Far with Fantasy?

Everything Else:

Should I Cut My Prologue?
Chapter Titles and Endings
To Kill or Not Kill a Character
What to Do When Your Story Stalls
How to Make Simple Writing More Vivid
How to Avoid Forced Romantic Sub-Plot
Cliffhanger Endings
The Opening Line
Writing Process: Drafts
Suspense, Climax, and Ending

If you have any further questions, you know where to find me! :)

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This is my favourite bookstore and bookseller in the world. Bar none.

I used to get to Seattle every six months or so, and whenever I visited I always made it a priority to stop in BLMF and ask its keeper what he’d been reading lately. He possessed an inexhaustible memory, a comfortable lack of snobbery, and impeccable taste. The first book he recommended to me, upon listening gravely to my litany of at-the-moment authors (Barbara Kingsolver, James Clavell, Maeve Binchy, Neil Gaiman, Charles DeLint, Anthony Bourdain) was Tipping the Velvet. He also later landed me with Geek Love, Anno Dracula, half the Aubreyad, and more modern Literature-with-a-capital-L than I could carry home.

The next-to-last time I dropped in, I asked if he had any P. G. Wodehouse.

"I have zero Wodehouse," he said, "and here’s why…"

Turned out that some fiend had taken to creeping in every month or so expressly to inquire of any Wodehouse and, once led to the volumes, to buy it all. ALL. Didn’t matter the condition, the edition, or whether he had another just like it in his possession; the villain bought every single P. G. Wodehouse in stock, every single time.

Was he a fan more comprehensive, more truly fanatical than any other I’d heard of, let alone known? Was he virulently anti-Wodehouse, only purchasing the books to keep their wry poison from infecting the impressionable masses? The world may never know.

I didn’t get any Wodehouse then, and I didn’t really feel the lack. I found plenty of other treasures that trip. But here’s one reason why BLMF and its proprietor are my favourite of their kind: that was two years ago, you see. Maybe three. In all that interim, I never planted foot in that bookshop. Never called. Never wrote. And I’m one face out of hundreds of thousands, dear reader; one reader he saw twice a year for three years, then not again for another three.

But I walked in the shop last Friday. Nodded hello.

"Can I help you find anything?" he asked, lifting his head from the phone.

"No, I’m good," I said.

"Wait—hold on a second." He set the phone down, walked ‘round the towers of books balanced precariously on the desk, on the floor, and atop other, only slightly less precarious towers. He jerked his head conspiratorially toward the far end of the shop, led me carefully to a shelf way in the back, removed a tattered stack of mass market paperbacks and motioned me closer to see what they’d been hiding.

Fifteen pristine Wodehouses: crisp, heavy, and—

Hardcover,” he said, and waggled his eyebrows.

Reader, I bought them all.

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Do you have anything on how to write a flirty conversation between two people?


Like people, your characters are millions and millions of facts and small traits; age, family, relationships (friendships, acquaintances, previous romantic relationships if any), likes, dislikes, how they were raised, where they were raised (in what environment). 

Basically, you have to remember who your characters are, how they are, and why they are the way they are. Some people are better at flirting than others and the reason for such relies in the facts: it’s in how they are like. Someone who is shy by nature might not be good at flirting—they might stutter, might say embarrassing things, might think a lot about what they’re saying and have it come up messily anyway. On the other hand, people who are more on the extroverted side might be better at flirting. 

Knowing how they are like is helpful when it comes down to the type of ‘flirts’ they are. Some people are more direct than others whilst others beat around the bush too much. 

There are several types of flirting. (read more about it here)

  • Sincere: it’s the most natural kind of flirting. It simply happens out of attraction for the person in question. Flattery is common with this type. 
  • Polite: it has more to do with proper etiquette and manners. Usually outright flirting doesn’t go along with it.
  • Playful: playful flirting is more on the joking side. People who flirt playfully tend not to mean it—or they do mean it, and don’t seek anything further than just joking. 
  • Traditional: while the definition of traditional flirting is hetero-normative, I will change it so it works regardless of gender or sexuality. It’s more of a dynamic where one person does most of the flirting at the beginning, giving all kinds of attention, while the other lets themselves be wooed and positively reinforces the other person so they continue to flirt. 
  • Physical: I consider physical flirting an optional addition to the previous types. You have to take care of the body language and if they show attraction through their bodies and the gestures they make. Smiling, batting eyelashes, blushing, hugging, hand holding while talking can be considered some signs of showing attraction for someone. And here are some more.

You can take a test for your characters and figure out the type of flirt they’d be like. I also found this very well-done guide on flirtingsome tips on flirting here, and one about attraction here.

The relationship between the two characters plays a huge part, too, so consider it just as much as you should consider your characters’ personalities. If they are ‘sincere’ flirts, it might be easier (or harder) to show their emotions if they have known the person for a while, or if they haven’t. 

When it comes to actually writing the scene, just go for it. If it’s a date and they’re talking, write their conversation, see how it flows. There’s not much left to it but to write it. 

Best of luck,